“Thank you for travelling Future Line,
please exit to your right and queue
for temporal decontamination.”
You pick up your small suitcase
— the kind of luggage designed specifically for this kind of travel:
timeless design, plain, with a hidden lock cleverly disguised and a secure pocket in the handle to hold the document chip.
Following the other passengers, as usual just a handful, you disembark the bullet-shaped vessel. The adjoining air lock is your least favourite part of time travel. Two at a time, the passengers enter it, suitcase in hand, wait for the door behind them too seal, then proceed to walk through the narrow, windowless tunnel, walking so slowly it feels like a claustrophobia inducing eternity in which the decontaminating rays crush your spirit and you question your decision to travel at all.
You’re next.
As you’re the last passenger of an uneven number, you enter alone. You close your eyes while you listen to the dreadful sound of the door plates sliding into lock position, clicking together in the middle, aligned with your spine. Eyes still closed, you start your snail-paced journey along the gangway between two centuries, letting go of your last breath of air from your own time. The lights are so bright you discern their colours through your eyelids. You believe to feel how the small markers of the time of origin are stripped from your body, tiny specks of temporal dirt being burnt out of your skin. Of course the process is painless and you know you can’t really sense anything beyond seeing spots of light, but this doesn’t stop your mind from filling in the gaps.
You almost run into the still closed outer door. Counting to five, you take a breath. Counting on to ten, you open your eyes. You straighten your back and check your hair in the mirror next to the door.
Time to get your job done.